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Table B
Answer
Guide and Explanations
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The answers are highlighted and
entered for your convenience.
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I. Multiple Choice Questions: Please circle the letter that precedes
the correct answer.
1. In James Joyce’s novel A
Portrait of the Artist as a Young Man, Stephen Dedalua (Hero) plans to
gather this which he perceives to be a symbol of a spiritual state:
A. Flowers
B. A page
C. Wheeling darting birds
D. Epiphanies
2. Derived from Holinshed’s
Chronicles (1577), Macbeth
is a tragedy by William Shakespeare that includes a prophesy by three
sisters who have been declared to be witches and who hail General Macbeth
as thane of Glamis and traitorous thane of Cowdor. They also foreshadow to
Macbeth that he will ultimately assume the crown of Scotland until it is
claimed by Malcolm, a son of King Duncan who, upon the death of his
Father, will also acquire the thrown. The atmosphere and foreshadowing of
the witches did evoke the following which intrigued James I for whom this
play was probably a tribute:
A. Justice for his dominion
B. Duncan’s posterity
C. Supernaturalism
D. The crown of Napoleon Bonaparte
3. In Thomas Hardy’s The
Return of the Native (1873), Clym Yeobright hopes to become a school
master in his native Egdon Heath; however, he does not fulfill his goals
through his marriage to Eustacia Vye because:
A. Thomasin became a preacher.
B. Clym returned successfully to
Paris.
C. He became blind, and impulsive Eustacia
drowned herself.
D. His mother Mrs. Yeobright
survived the wild Eustacia.
4. The literary term that conveys
the rendering of thought and flow of inner experience with no evident
logic through the mind of a character, and illustrated by James Joyce in Ulysses
(1922), is:
A. Catharsis
B. Stream of consciousness
C. Illusion
D. Satire
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II. Matching Questions: Please enter in the empty boxes the letter
for the Syntactic Term in Column B that conveys the description or
definition provided in Column A:
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Column
A
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Column
B
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J
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Romans
loved neither Greeks nor
Persians.
A.
Parallel structure
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G
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She
kilns tureens.
B.
Gerund
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F
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He
learned that batteries
generate power.
C. Appositives
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B
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Acquiescing
D. Infinitive
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A
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He
studied Nuclear Physics
and practiced Archaeology
E. Transitional adverbs
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C
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She
suffered a heavy chill, ominous dimension.
F. Noun phrase
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D
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To
elucidate
G. Active voice
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E
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Therefore,
furthermore, on the other hand, however
H. Verbal phrase
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I
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They
brightened paths that were dark.
I. Adjective clause
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H
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Flying
to the Hague, she
expressed relief
J. Correlative conjunction
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K. Reflexive pronoun
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III. True-False
Items: Circle either the T for True or the F for False:
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Item
#
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1
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T
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F
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Enlightenment
refers to the “liberation” of humankind, the uniting of Reason
and nature toward a perfect society that may free humankind from
oppression.
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2
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T
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F
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The
antagonist is the major
character and hero of a narrative or drama.
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3
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T
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F
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An
oxymoron is a figure of
speech consisting of two apparently contradictory terms that express
a paradox (for example: sizzling ice)
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4
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T
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F
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Onomatopoeia
refers to the use of words to evoke, reinforce, or imitate sounds.
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5
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T
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F
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Major
events that precede the climax of a plot or mystery are known as denouement.
(An
“unknotting” of events cannot occur before the climax.)
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6
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T
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F
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Alliteration
is the close repetition of vowel sounds. (Alliteration
refers to consonant sounds; assonance
to vowel sounds.)
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7
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T
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F
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Renaissance
may refer also to Elizabethan times during which Shakespeare lived;
this period between the Middle Ages and the Enlightenment refers to
“rebirth,” a revival or renewal of intellectual and artistic
energies.
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8
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T
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F
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The
mood that is established by the entirety of a literary work;
associated with atmosphere, foreshadowing contributes to the plot (for example: the witches
in Macbeth who provide the
dark somber air that forebodes death).
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9
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T
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F
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The
protagonist is a major
character and hero of a narrative or drama (for example: Clym
Yeobright is the protagonist in Hardy’s Return
of the Native).
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10
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T
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F
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Epiphany
refers to an illuminating discovery, a revealing scene or
moment—an appearance or manifestation of a divine being.
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Table C
Table
of Language Arts Standards for Twelfth Grade (ICAS, 2002, p. 70-78)
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Reading
for
Information
& Understanding
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California
Language Arts Content Standards (Cal LACS)
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Breadth
& Variety of Texts
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1.0
Word Analysis, Fluency, and Systematic Vocabulary
Development: Students apply their knowledge of
word origins both to determine the meaning of
new words encountered in reading materials and to
use those words accurately.
1.1
Trace the etymology of significant terms used in
political science and history.
1.2
Apply knowledge of Greek, Latin, and Anglo-Saxon
roots and affixes to draw inferences concerning
the meaning of scientific and mathematical
terminology
1.3
Discern the meaning of analogies encountered,
analyzing specific comparisons as well as
relationships and inferences.
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Depth
of Understanding and Interaction
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2.0
Reading Comprehension: Students read and
understand grade-level appropriate material. They
analyze the organization patterns, arguments, and
positions advanced. The quality and complexity of
the materials to be read by students are illustrated
in the California Reading List. In addition, by grade
12, students read two million words annually on
their own, including a wide variety of classic and
contemporary literature, as well as magazine,
newspapers, and online information.
Structural
Features of Informational Materials
2.1
Analyze both the features and the rhetorical
devices of different types of public documents (e.g.,
policy statements, speeches, debates, platforms)
and the way in which authors use those features
and devices.
Comprehension
and analysis of Grade-Level-
Appropriate
Text
2.2
Analyze the way in which the clarity of meaning
is affected by the patterns of organization,
hierarchical structures, repetition of the main ideas,
syntax, and word choice in the text.
2.3
Verify and clarify facts presented in other types of
expository texts by using a variety of consumer,
workplace, and public documents
2.4
Make warranted and reasonable assertions about
the author’s arguments by using elements of the
text to defend and clarify interpretations.
2.5
Analyze an author’s implicit and explicit
philosophical assumptions and beliefs about a
subject.
2.6
Critique the power, validity, and truthfulness of
arguments set forth in public documents; their
appeal to both friendly and hostile audiences;
an the extent to which the arguments anticipate
and address reader concerns and counterclaims
(e.g., appeal to reason, to authority, to pathos and
emotion).
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Writing
to Learn
and
Communicate
Effectively
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Writing
Strategies:
1.0
Students write coherent and focused texts that
convey a well-defined perspective and tightly
reasoned argument. Student writing demonstrates
awareness of audience and purpose and use of the
stages of the writing process, as needed.
Organization
and Focus
1.1
Demonstrate an understanding of the elements of
discourses (e.g., purpose, speaker, audience, form)
when completing narrative, expository, persuasive,
or descriptive writing assignments.
1.2
Use point of view, characterization, style, and
related elements for specific rhetorical and
aesthetic purposes.
1.3
Structure ideas and arguments in a sustained,
persuasive, and sophisticated way and support
them with precise and relevant examples.
1.4
Enhance meaning by employing rhetorical
devices, including the extended use of parallelism,
repetition, and analogy; the incorporation of visual
aids; and the issuance of a call for action.
1.5
Use language in natural, fresh, and vivid ways to
establish a specific tone.
Research
and Technology
1.6
Develop presentations by using clear research
questions and creative and critical research
strategies.
1.7
Use systematic strategies to organize and record
information
1.8
Integrate databases, graphics and spreadsheets into
word-processed documents.
Evaluation
and Revision
1.9
Revise tests to highlight the individual voice,
improve sentence variety and style, and enhance
subtlety of meaning and tone in ways that are
consistent with the purpose, audience, and genre.
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Depth
of Written
Expression
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Breadth
of Writing
Types
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2.0
Writing Applications (Genres and Their
Characteristics)
Students combine the rhetorical
strategies of narration, exposition, persuasion, and
description to produce text of at least 1,500 words,
when appropriate. Student writing demonstrates
a command of standard English and the research,
organizational, and drafting strategies outlined in
Writing
Standard 1.0.
2.1
Write fictional autobiographical, or biographical
narratives.
2.2
Write responses to literature.
2.3
Write reflective compositions.
2.4
Write historical investigation reports
2.5
Write job applications and resumes
2.6
Deliver multimedia presentations
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Grammar,
Conventions, and Usage Standards
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Written
and Oral English Conventions:
1.0
Students write and speak with a command of
standard English conventions
1.1
Demonstrate control of grammar, diction, and
paragraph and sentence structure and an
understanding of English usage.
1.2
Produce legible work that shows accurate spelling
and correct punctuation and capitalization.
1.3
Reflect appropriate manuscript requirements in
writing.
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Conventions
of Oral Presentations
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(Same
as preceding)
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Speaking
and
Listening
in Formal
and
Informal
Situations
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Listening
and Speaking Strategies
1.0
Students formulate adroit judgments about oral
communication. They deliver focused and coherent
presentations of their own that convey clear and
distinct perspectives and solid reasoning. They
incorporate gestures, tone, and vocabulary tailored
to audience and purpose.
Comprehension
1.1
Recognize strategies used by the media to inform,
persuade, entertain, and transmit culture.
1.2
Analyze the impact of the media on the democratic
process at the local, state, and national levels.
1.3
Interpret and evaluate the various ways in
which events are presented and information is
communicated by visual image makers.
Organization
and Delivery of Oral Communication
1.4
Use rhetorical questions, parallel structure, concrete
images, figurative language, characterization, irony,
and dialogue to achieve clarity, force, and aesthetic
effect.
1.5
Distinguish between and use various forms of
classical and contemporary logical arguments,
including:
a. Inductive and deductive reasoning
b. Syllogisms and
analogies
1.6
Use logical, ethical, and emotional appeals that
enhance a specific tone and purpose.
1.7
Use appropriate rehearsal strategies to pay
attention to performance details, achieve command
of the text, and create skillful artistic staging.
1.8
Use effective and interesting language, including:
a. Information expressions for effect
b. Standard American English for clarity
c. Technical language for specificity
1.9
Use research and analysis to justify strategies for
gesture, movement, and vocalization, including
dialect, pronunciation, and enunciation.
1.10
Evaluate when to use different kinds of effects to
create effective productions
Analysis
and Evaluation of Oral and Media
Communication
1.11
Critique a speaker’s diction and syntax in relation
to the purpose of an oral communication and the
1.12
Impact the words may have on the audience
a. Identify logical fallacies used in oral addresses
1.13
Analyze the four basic types of persuasive speech
and understand the similarities and differences
in their patterns of organization and the use of
persuasive language, reasoning and proof
1.14
Analyze the techniques used in media messages
for a particular audience and evaluate their
effectiveness
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Speaking
Applications (Genres and Their
Characteristics)
2.0
Students deliver polished formal and
extemporaneous presentations that combine
traditional rhetorical strategies of narration,
exposition, persuasion and description. Student
speaking demonstrates command o standard
English and the organization and delivery strategies
outlined in Listening and Speaking Standard 2.0.
2.1
Deliver reflective presentations
2.2
Deliver oral reports on historical investigations
2.3
Deliver oral responses to literature
2.4
Deliver multimedia presentations
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Interpreting,
Critiquing, and Creating Literature
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3.0.
Literary Response and Analysis: Students read and
respond to historically or culturally significant
works of world literature, particularly American and
British literature. They conduct in-depth analyses
of recurrent patterns and themes. The quality and
complexity of the materials to be read by students
are illustrated in the California Reading List.
Structural
Features of Literature
3.1
Analyze characteristics of subgenres (e.g., satire,
parody, allegory, pastoral) that are used in poetry,
prose, plays, novels, short stories, essays, and other
basic genres.
Narrative
Analysis of Grade-Level-Appropriate Text
3.2
Analyze the way in which the theme or meaning of
a selection represents a view or comment on life,
using textual evidence to support the claim.
3.3
Analyze the ways in which irony, tone, mood, the
author’s style, and the “sound” of language achieve
specific rhetorical or aesthetic purposes or both.
3.4
Analyze the ways in which poets use imagery,
personification, figures of speech, and sounds to
evoke readers’ emotions.
3.5
Analyze recognized works of American literature
representing a variety of genres and traditions:
a.
Trace the development of American literature from
the colonial period forward
b.
Contrast the major periods, themes, styles, and
trends and describe how works by members of
different cultures relate to one another in each
period.
c.
Evaluate the philosophical, political, religious,
ethical and social influences of the historical period
that shaped the characters, plots, and settings.
3.6
Analyze the way in which authors through the
centuries have used archetypes drawn from myth
and tradition in literature, film, political speeches,
and religious writings
3.7
Analyze recognized works of world literature from a
variety of authors:
a.
Contrast the major literary forms, techniques, and
characteristics of the major literary periods
b.
Relate literary works and authors to the major
themes and issues of their Eras.
c.
Evaluate the philosophical, political, religious, ethical,
and social influences of the historical period that
shaped the characters, plots, and settings.
Literary
Criticism
3.8
Analyze the clarity and consistency of political
assumptions in a selection of literary works or essays
on a topic (Political approach).
3.9
Analyze the philosophical arguments presented in
literary works to determine whether the authors’
positions have contributed to the quality of
each work and the credibility of the characters
(Philosophical approach).
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Responding
to
Literature
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Finding,
Analyzing, Applying, and Communicating Information
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(Writing
Strategies):
1.8
Integrate databases, graphics,
and spreadsheets into
word-processed documents
(Writing
Applications)
2.6
Deliver multimedia presentations
a. Combine text, images, and sound and draw
information from many sources (e.g., television
broadcasts, videos, films, newspapers, magazines,
CD-ROMs, the Internet, electronic media-generated
images).
b. Select an appropriate medium for each element of
the presentation.
c. Use the selected media skillfully, editing
appropriately and monitoring for quality.
d. Test the audience’s response and revise the
presentation accordingly
(Speaking
Applications
2.4
Same as 2.6 above)
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Breadth
of Understanding and Interaction
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Depth
of Understanding and Interaction
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Refer
to CERT Standards
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